Brett Weymark OAM
conductor
“...Brett Weymark deserves a medal for conducting Purcell's long and multi-faceted score with such style and panache.”
Clive Paget, Limelight Magazine
Brett Weymark is one of Australia’s foremost choral conductors. Since 2003, Brett Weymark has conducted the Sydney Philharmonia Choirs throughout Australia and internationally. He has also conducted the Sydney, Adelaide, Queensland, West Australian and Tasmanian symphony orchestras, Orchestra of the Antipodes, Sydney Youth Orchestra, New Zealand Symphony Orchestra, Hong Kong Philharmonic and productions for WAAPA, Pacific Opera and OzOpera. He has performed with Opera Australia, Pinchgut Opera, Australian Chamber Orchestra, The Song Company and Musica Viva.
He studied singing and conducting at Sydney University and the Sydney Conservatorium of Music and continued conducting studies with Simon Halsey, Vance George, Daniel Barenboim and Sir John Eliot Gardiner, amongst others.
His performances have included Bach’s Passions and Christmas Oratorio, the requiems of Mozart, Verdi, Duruflé and Fauré and Orff’s Carmina Burana. He is champion of Australian composers and has premiered works by Matthew Hindson, Elena Kats-Chernin, Peter Sculthorpe, Ross Edwards and many others. He has prepared choirs for Sir Charles Mackerras, Zubin Mehta, Edo de Waart, Vladimir Ashkenazy and Sir Simon Rattle. He has recorded widely for the ABC and conducted film scores, including Happy Feet, Mad Max Fury Road and Australia.
Recent highlight performances include Sondheim’s Sweeney Todd (West Australian Opera), Paul Stanhope’s Jandamarra (SSO), Michael Tippett’s A Child Of Our Time (Adelaide Festival), Carousel (State Opera of South Australia) and Messiah (Tasmanian Symphony).
In 2001, Brett was awarded an Australian Centenary Medal. In 2021, he was awarded the Medal of the Order of Australia for services to the performing arts through music.
Brett is passionate about singing and the role that music plays in both the individual’s wellbeing and the overall health and vitality of a community’s culture. Music can transform lives and should be accessible to all.
Representation: World